Carlisle Longinmouth (
tongueamok) wrote2015-04-03 08:13 pm
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XOqNI
Hello, this is Carlisle. I mean, it's not Carlisle as in I'm actually answering you right now, so if you're trying to reply to me at the second, you should probably save your breath because I'm not really here. This is some kind of a recording of my voice, but this is my communicator. I'm going to assume these devices are as common here as they are in other places — not my world, but others, ones more technologically advanced than where I come from— so if you'd like to leave me a message, then you may do so here, or er... Right. Here is fine. So just leave yo— [beep] |
[voice]
[There's that nagging at the back of his mind, those old superstitions ingrained into him. He shouldn't talk about his curse so openly. Others are better off not knowing what it is they have living among them.
... And then there's the encouragement he got from Glacius, reminding him that he will never make progress if he does not even attempt to face his fears; those fears include that of other people, of what they will think, and of what might happen to them. Carlisle is no more their keeper than they are his, and Chris would not offer if he did not genuinely want to help, surely.]
I could use someone to talk to... I suppose.
[voice]
Yeah, of course, no problem. I can come to your place, if you want?
[Since he's guessing Carlisle isn't feeling up to coming here, or probably even meeting somewhere in the middle.]
[voice]
[As hesitant as he's been regarding everything else, he is certain of that.]
[voice]
His place is probably out since it's full of people--and a wolf, which he's not sure how Carlisle would feel about--and the bar is pretty public if there are people in it. Emily's shop is an idea but she's probably at it herself.]
Maybe the library? Or just like, temporarily grab a place no one's at.
[He's been thinking of scoping out open houses anyway himself.]
[voice]
[Because last time he poked his head in there, a green man was building towers out of books.]
[voice]
I'll bring coffee.
[At least he can do that much to help for certain.]
[voice]
[And with that, he's headed out to the library to find the most secluded area possible -- probably that one room down the long hallway with all the blank books, where he's been procuring some for himself to repurpose into journals.
Though he looks better than he did earlier in the month when Emily started making him his pain-killing teas, he's still more disheveled than usual -- haggard, tired. With the bloodstains still stubbornly clinging to the neck of his jacket, he's swapped it out for a black ensemble he managed to find in the stores. His tabard is still present atop it, as though it provides some sense of normalcy for him.
And that's really what he needs right now.]
[action]
Don't judge, okay.
He offers a smile as he finally finds Carlisle, though he makes note of his disheveled appearance. At least he's looking better than last time Chris saw him, anyway.]
Hey.
[His voice is quiet, mostly from an ingrained sense of not being too loud in a library. It's a hard habit to break, and he sets Carlisle's coffee on one of the small tables in the room.]
This one's yours.
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Thank you, lad.
[His eyes trail upward.]
Nice hat.
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[Bringing coffee wasn't exactly much effort or anything. At Carlisle's next comment Chris gives a small laugh, sitting on the edge of another of the small tables scattered about.]
Thanks. It's uh... It's Ash's, but it showed up here along with some of the other weird stuff popping up and since she's not here I figured it was meant for me. Have you found anything of yours yet?
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I found nothing, but it seems others found them for me. I cannot help but wonder if the false gods sought to make us homesick.
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Maybe. It'd be uh, kind of a passive-aggressive way of going about it though, and since I think only Sorrow'd get something out of it he'd probably be a little more um... Aggressive-aggressive? But who knows.
[Not like he talks to Sorrow much, or ever.]
Get anything good?
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[A smile pulls at the corner of his mouth, along with a somber laugh.]
It's hideous, really. But it has an enchantment on it to disguise the wearer as a beast, so perhaps it will have a use here.
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[He's grinning a little as he responds himself, though now he's curious to see the thing and just how hideous it actually is.]
Should it like, be able to make monsters think you're one of them, or...?
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Any monsters should see me as a kalugra, the beast the pelt was from, when I don the cape. They are not know for their agreeable disposition, so it worked well enough on the creatures surrounding Bear Den, including the Forest Folk. I never really meant to frighten them, but it happened from time to time.
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[And definitely worth it, if it works here.]
Was it the only thing you got?
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No, um. Actually.
[He's still obviously stiff in the joints as he reaches beside his chair and into his satchel that's sitting on the floor. He retrieves a leather, folding frame, setting it on the table and pushing it toward Chris.
Inside are four portraits, lifelike illustrations produced by a skillful artist. The first has a rugged fellow with wild, ruddy hair and an even wilder look in his vibrant eyes. He's got a massive axe strapped to his back and, if the definition in his neck and shoulders is any indication, has no problems wielding such an intimidating weapon. Despite his hard jawline, untamed features, and numerous scars across his skin, his smile is soft, kind.
The man in the second portrait must be related to the first, as he also has a furious mane of hair; it connects to his sideburns, all of his auburn locks brushed backwards and pulled into a knot at the back of his head. He has a traditional bow over his shoulder, the limbs engraved with symbols and depictions of various creatures. His long nose is wrinkled as he smiles for the artist, proud to have his picture made.
That smirk is no comparison to the confident grin on the third man, whose hazel eyes and chiseled features were likely to have made him very popular around any town. He looks as though he knew it at the time of his portrait too, his hand only loosely curled around his staff, fingers relaxed. Though not as weathered as the previous two men, he doesn't look like one to be challenged -- the orb at the top of his staff is not the only ornament on the weapon, as teeth, claws, and feathers all hang below it, attached by leather strings and wrappings. He's got several hanging along the neckline of his tunic, too -- trophies, mementos of favorite kills.
And the last portrait is someone who might be familiar to Chris, despite the fact the figure in it is several years younger, not even an adult: tired eyes, glasses, nearly colorless skin even as an adolescent. Even without the sides of his head shorn, the hairline is unmistakably Carlisle's. At least he's smiling. Times were happier, then.]
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Are these um, your uncles and dad, I'm guessing?
[Not that he has any idea which might be which but he remembers Carlisle talking about them before and that they were hunters, which these people certainly look like they could be.]
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[That hint of a smile is back as eyes the folder fondly.]
That first one is my Uncle Boris. The one next to me is Uncle Benistad. My father would be the one in the middle, with the bow.
[If one thing is evident, it is that Carlisle doesn't get much of his looks or talents from his father's side of the family.]
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[So that makes sense, with the staff.]
This is um... A pretty awesome thing to get from home. Even cooler than the other thing.
[Even if blending in with monsters is probably more practical.]
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Perhaps. I admittedly never thought I'd see this again. These belonged to my father, painted by one of the many people he aided in his travels. He carried it with him until it came to me.
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[He hands the frame carefully back to Carlisle.]
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[He looks over the portraits one more time before folding the frame and setting it aside.]
I'd prefer it if we had less interference from them in the coming months. I believe last month was enough for a lifetime for me.
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[A lighter few months--or even one month--would be really nice. He takes another drink of his coffee, before adding--]
It'll um... It'll be a year for me next month.
[A year since he got here, and since everything happened at home. It's surreal to think about.]
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It will be two for me this year. One here, one elsewhere.
[His brow knits again as he looks into his coffee.]
I wonder if we age here.
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